Hollywood lied to you about Ancient Rome. Here’s the truth | Mary Beard: Full Interview

Big Think Big Think Oct 31, 2025

Audio Brief

Show transcript
This episode deconstructs popular myths about ancient Rome, contrasting the sterile, white-marble world of cinema with the colorful, complex, and multicultural historical reality. There are four core insights from this discussion. First, popular culture distorts our understanding of ancient Rome; the historical reality was far more vibrant, diverse, and complex than films suggest. Second, slavery was the unacknowledged bedrock of Roman elite society, making their entire way of life possible. Third, the Roman Triumph evolved from a general's honor into an exclusive ritual of imperial power. Finally, the Romans themselves actively debated and critiqued the moral contradictions of their empire. Modern perceptions often portray a stark, white-marble Rome, ignoring its true vibrancy and multiculturalism. Films misrepresent daily life, from common greetings like kissing between men, to the colorful statues and diverse society. Even Roman spectacles, like those at the Colosseum, were highly controlled and socially stratified displays of wealth and power, not chaotic free-for-alls. Slavery was fundamentally integrated into daily life for the Roman elite. Their reliance on enslaved people extended to basic tasks, such as dressing in a toga or creating elaborate hairstyles, revealing how essential servitude was to their lifestyle. This institution enabled the very fabric of Roman aristocratic society. The Roman Triumph was a dynamic political instrument, not a fixed tradition. Initially an honor available to any successful general, Emperor Augustus fundamentally reshaped it. Under his rule, it became a "royal ritual" reserved exclusively for the emperor, thus consolidating all military glory and authority under his imperial name. The Romans were not blind to the moral ambiguities of their vast empire. Philosophers like Seneca famously questioned whether celebrating grand military conquests was merely "sacrilege on a grand scale." This internal critique highlights their awareness of the ethical dilemmas inherent in imperial expansion and triumph. This podcast reveals a nuanced ancient Rome, challenging modern assumptions with rich historical depth and complexity.

Episode Overview

  • This episode deconstructs popular myths about ancient Rome, contrasting the sterile, white-marble world of cinema with the colorful, complex, and multicultural historical reality.
  • It explores the fundamental role of slavery in Roman daily life, revealing how the elite depended on servitude for everything from dressing to public spectacle.
  • The conversation delves into the evolution of the Roman Triumph, showing how it was transformed under Emperor Augustus from a general's honor into an exclusive ritual of imperial power.
  • The podcast highlights the Romans' own moral ambiguity and critique of their empire, questioning whether conquest and triumph were simply a form of glorified, large-scale crime.

Key Concepts

  • Deconstructing Cinematic Myths: Our modern perception of ancient Rome is heavily skewed by inaccurate film portrayals, from social customs and formal greetings to the false belief that Roman statues and buildings were pristinely white.
  • The Nature of Roman Spectacle: Contrary to chaotic movie depictions, events at the Colosseum were highly controlled and socially stratified, while the Triumph served as an extravagant display of wealth and power that also prompted criticism for its excess.
  • Slavery as a Societal Foundation: The dependence on enslaved people was fundamental to the daily life of the Roman elite, a fact revealed in tasks as simple as putting on a toga or creating elaborate hairstyles.
  • The Monarchization of the Triumph: Under Emperor Augustus, the triumph was fundamentally changed from an honor available to any successful general into an exclusive "royal ritual" reserved for the emperor, consolidating all military glory under his name.
  • Roman Self-Critique of Imperialism: The Romans themselves, through figures like the philosopher Seneca, were aware of the moral contradictions of their empire and questioned whether their celebrated military conquests were simply "sacrilege on a grand scale."

Quotes

  • At 0:21 - "they got some things terribly wrong." - Beard states this in reference to modern movies' portrayal of ancient Roman culture, setting up the segment's myth-busting theme.
  • At 2:32 - "...the normal form of greeting between two Roman men was to kiss each other, not to clasp a hand." - This quote highlights the stark difference between the stiff, formal Romans of our imagination and their actual social customs.
  • At 5:26 - "It's a reminder, at the very least, of the role of service and servitude in Roman society." - She explains how the sheer difficulty of putting on a toga reveals the fundamental reliance on slaves to perform even the daily task of getting dressed.
  • At 32:00 - "Under Augustus, it becomes a royal ritual." - Beard explains the crucial turning point where the Roman Triumph ceased to be an honor for generals and became an exclusive ceremony for the emperor.
  • At 38:17 - "Petty sacrilege gets punished. Sacrilege on a grand scale, that is what gets you a triumph." - Beard cites the Roman philosopher Seneca to illustrate the deep moral questions the Romans themselves had about celebrating large-scale military conquest.

Takeaways

  • Our understanding of ancient Rome is often distorted by popular culture; the historical reality was far more complex, multicultural, and colorful than films suggest.
  • The institution of slavery was the unacknowledged bedrock of Roman elite society, making their entire way of life, from fashion to politics, possible.
  • The Roman Triumph was not a static tradition but a powerful political tool that evolved from a military honor into an exclusive symbol of imperial authority.
  • The Romans were not blind to the moral contradictions of their empire, actively debating and critiquing the nature of conquest and glory.